Biggest fucking copouts of all time
Posted: Wed Jun 20, 2007 1:43 pm
Spawn's suit:
Remember the original premise for Spawn? A dude who was screwed over by the devil, and came back with a limited amount of power. Once he used it, he was the devil's slave? And he kept using pretty large amounts of power, because he wasn't fully aware of this?
Sound familiar?
Then, suddenly, it dawned on McFarlane (shortly before he lost all semblance of sanity) that the book was popular. He couldn't have it ending! Now, Spawn finds out his suit has an unlimited amount of power, and he can use it freely.
Way to fuck over the entire basis of the book there, cocksucker.
"That wasn't really Magneto":
So Grant Morrison has one of the single greatest runs writing an X-Men title. He spends almost the entire time setting up a mysterious character named Xorn, who turns out to be Magneto. Magneto is absolutely insane at this point, and he takes over New York and starts killing off humans. He kills Jean, and is in turn killed by Wolverine.
Only thing is... the minute Morrison left, the entire story was retconned. Sure, Manhattan was still taken over, and Jean is still dead. Only it wasn't Magneto. Worse than the retcon itself, Marvel still can't actually say what supposedly happened.
Why bother bringing in a guy like Morrison, whose track record of great, but extremely edgy, stories is well known, if you're only going to undo it all (literally) the first issue after he's gone?
I hear that people were disturbed by the death camps, claiming Magneto would never resort to Nazi tactics, being a Holocaust survivor himself. Dude, it's called irony. The guy's a fucking megalomaniac who has said he wants to kill all the people. What, one writer in the history of the character has the balls to show him trying to do it, and that's a big no-no?
Jean Grey and Onslaught:
Bishop came to the past from one of the billion or so futures in the Marvel Universe. Shortly before arriving, he found the ruins of the X-Mansion, and saw a staticy recording of Jean Grey. I don't remember the exact wording, but she says the X-Men are all dead, and "We never should've trusted--SKRIK--had no idea--SKRIK--you!! ARRRRRGH!" Then she's killed by a purple bolt of energy from offscreen.
After he sees the video, but before he comes back in time, it's established that not all the X-Men were killed. Remy "Gambit" LeBeau still lives. A shady mutant with a questionable past. A mutant whose powers involves bolts of purple energy.
So, Bishop confronts Gambit in the past, and the big question is set up. There's no question the murderer was intended to be Gambit. But now, we're wondering: will he go through with it? Has he even intended to do it prior to Bishop's arrival? Will Bishop's presence change his mind (or prevent him from deciding to kill them later)?
But then the creative teams went bye-bye. Now, this ridiculously convoluted story about how Magneto's mind survived in Xavier and created the Onslaught persona shows up. We're supposed to believe that several minutes of monologuing about the effects of Xavier shutting down Magneto's mind fit into the second or two of static in the recording we saw in Bishop's future. Oh, and the X-Men aren't dead. Jean's just been misled. Oh, and she doesn't get killed by the seemingly fatal blast, either.
That insult to my intelligence, coming on the heels of Age of Apocalypse and the Spider-Clone fiasco, made me stop reading comics altogether for several years.
Remember the original premise for Spawn? A dude who was screwed over by the devil, and came back with a limited amount of power. Once he used it, he was the devil's slave? And he kept using pretty large amounts of power, because he wasn't fully aware of this?
Sound familiar?
Then, suddenly, it dawned on McFarlane (shortly before he lost all semblance of sanity) that the book was popular. He couldn't have it ending! Now, Spawn finds out his suit has an unlimited amount of power, and he can use it freely.
Way to fuck over the entire basis of the book there, cocksucker.
"That wasn't really Magneto":
So Grant Morrison has one of the single greatest runs writing an X-Men title. He spends almost the entire time setting up a mysterious character named Xorn, who turns out to be Magneto. Magneto is absolutely insane at this point, and he takes over New York and starts killing off humans. He kills Jean, and is in turn killed by Wolverine.
Only thing is... the minute Morrison left, the entire story was retconned. Sure, Manhattan was still taken over, and Jean is still dead. Only it wasn't Magneto. Worse than the retcon itself, Marvel still can't actually say what supposedly happened.
Why bother bringing in a guy like Morrison, whose track record of great, but extremely edgy, stories is well known, if you're only going to undo it all (literally) the first issue after he's gone?
I hear that people were disturbed by the death camps, claiming Magneto would never resort to Nazi tactics, being a Holocaust survivor himself. Dude, it's called irony. The guy's a fucking megalomaniac who has said he wants to kill all the people. What, one writer in the history of the character has the balls to show him trying to do it, and that's a big no-no?
Jean Grey and Onslaught:
Bishop came to the past from one of the billion or so futures in the Marvel Universe. Shortly before arriving, he found the ruins of the X-Mansion, and saw a staticy recording of Jean Grey. I don't remember the exact wording, but she says the X-Men are all dead, and "We never should've trusted--SKRIK--had no idea--SKRIK--you!! ARRRRRGH!" Then she's killed by a purple bolt of energy from offscreen.
After he sees the video, but before he comes back in time, it's established that not all the X-Men were killed. Remy "Gambit" LeBeau still lives. A shady mutant with a questionable past. A mutant whose powers involves bolts of purple energy.
So, Bishop confronts Gambit in the past, and the big question is set up. There's no question the murderer was intended to be Gambit. But now, we're wondering: will he go through with it? Has he even intended to do it prior to Bishop's arrival? Will Bishop's presence change his mind (or prevent him from deciding to kill them later)?
But then the creative teams went bye-bye. Now, this ridiculously convoluted story about how Magneto's mind survived in Xavier and created the Onslaught persona shows up. We're supposed to believe that several minutes of monologuing about the effects of Xavier shutting down Magneto's mind fit into the second or two of static in the recording we saw in Bishop's future. Oh, and the X-Men aren't dead. Jean's just been misled. Oh, and she doesn't get killed by the seemingly fatal blast, either.
That insult to my intelligence, coming on the heels of Age of Apocalypse and the Spider-Clone fiasco, made me stop reading comics altogether for several years.